The Mayer Of Atlanta
by Kevin Raub
"I'm always most inspired when it comes down to me," he explains.
"Put me in a room, and tell me I can leave but first I have to put
this thing together out of 100 pieces, and I'll stay there and do
it. If I know there's a way, I'll do it.
Atlanta was the first time
I discovered there was a way to do it."
Mayer spent four years playing the starving-musician role, toiling
away in the city's vibrant live-music culture, taking in all this
Southern capital had to offer both on- and offstage. Now, on the
eve of his third major-label effort,
Continuum, Mayer
remembers his adopted hometown as a dizzying array of diverse
cultures, all living in coexistent equilibrium. "Atlanta is one
game board with a dozen different games being played on it at the
same time, and no two pieces hit each other. That's what's so cool
about it. Honest to God. Somehow or another, it all completes
itself."
Or maybe that's just how he remembers Waffle House (more on that
later). Either way, Atlanta was very good to
John Mayer, so now
it's his turn to give back to the people who knew him before every
member of your family did.
What brought you to Atlanta in the first place? I had made a
friend who was from Atlanta. We kind of became a singer-songwriter
duo at Berklee and both decided to withdraw, the plan being I would
live with him in Atlanta and start a life and career down there. We
had a falling-out, but I still ended up down there. I was far
enough along into that lineage that there was nowhere else to go
but back home into the world of "I told you so" at my parents'
house. At the same time, I had had a real connection with the city,
and I knew I wasn't done figuring that place out, so I stayed
there.
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