Ben Kweller | Gil Norton | Born in the U.S.A. | Dorian
Do It Yourself
by
American Way StaffBen Kweller has been a solo act for years, but never as much as he
is on his great
new album.
"This is the best thing I've ever made," Ben Kweller says on the
phone from his home in Brooklyn. "It's a mindblower." The
25-year-old singer-songwriter is exceedingly proud of his new CD,
but that's not what's got him throwing out superlatives like
they're going out of style. In fact, Kweller's talking about his
son, Dorian, who was born last spring right about the time his dad
finished recording Ben Kweller (ATO), his third full-length
collection of catchy pop-rock tunes.
Inspired by the "really pristine '80s-era" sound of records like
Tom Petty's Full Moon
Fever and
Bruce Springsteen's Born in the
U.S.A., Kweller made the self-titled disc with producer Gil Norton,
who convinced Kweller to play all the instruments himself - a first
for the young rocker, who's toured with the Strokes and Death Cab
for Cutie. He'll spend the fall on the road supporting the album
with his wife and baby in tow. The idea is to pack as much as
possible into the next five years. "We don't really have to settle
down until kindergarten," he says of his newly minted family.
"That's lots of time to work."
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You recorded your last album, 2004's On My Way, live in the studio
with your band. But you played all the instruments on the new one
yourself. Was making Ben Kweller a more meticulous process? Totally
- and that's what I wanted it to be. When I made On My Way, I set
out to record the band that I'd been touring with for the past year
and a half. I wanted to document that four-piece; I didn't want to
do any preproduction or work on the songs beforehand. I just came
into the studio, and we'd play a song four times and pick the best
take. And that's it. Maybe I'd sing a harmony or add a tambourine
track. But for this one, I wanted to make something more anthemic
and a little bigger-sounding, and that was a big leap for me. Drums
were my first instrument, but I had never really recorded every
instrument before. So working with somebody as experienced and as
talented as Gil really gave me the confidence to pull it off. It
would've been a lot different if it were just me in the studio with
a friend engineering. I would've been in there for years trying to
finish it.
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