Gershwin | conductor | John Williams | pianist | composer
A Boy And His Violin
by
Porter Anderson gershwin fantasy (1998). john williams joins bell here as
both conductor (with the london symphony orchestra) and pianist in
an immensely satisfying treatment of work by american composer
george gershwin. bell wipes you out in "embraceable you" and "but
not for me." he hypnotizes you with the second of the three
preludes (in his idol jascha heifetz's transcription). and then he
makes a charlestonian out of you in "fantasy for violin and
orchestra" from porgy and bess. notice the packaging, which
poses bell in the guise of a gershwin swell. he earns those
threads.
west side story suite (2001). this is bell's "leather jacket
album" - imagery courtesy of the jets and the sharks of the 1957
broadway musical's story - and he works here with
conductor david zinman and the philharmonic orchestra to offer the
perfect come-hither album for the classically hesitant. leonard
bernstein's music is keenly led by the violin in william david
brohn's suite and gets a remarkably ranging performance from bell.
the real bonus here is bell's rendition of "bernstein's serenade
for violin and orchestra". if you ever see this on bell's program
for a live performance, buy a ticket: as much as you'll like the
sheer sonic agility of it on this cd, seeing him match the music's
athleticism in performance is even better.
mendelssohn, beethoven: violin concertos (2002). it's on
this cd that you can hear some of bell's composition talent - he
wrote his own cadenzas (soloists extended, unaccompanied passages)
for the famous violin concertos of ludwig von beethoven and felix
mendelssohn. in the case of the mendelssohn, this took guts, the
music world having come to expect the standard first-movement
cadenza created by joseph joachim. both works are straight-up
traditionalist fare, easily understood by a listener new to them
and clearly a couple of milestones on bell's mastery of the
repertoire.
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