Shangri-la, Stax, And Sherman
by Paul LukasWillmott currently pursues that job as the proprietor of Ultimate
Memphis Rock 'n Roll Tours (
www.memphisrocktour.com). While Graceland has become
a kitschy self-parody and
Beale Street is now little more than a
blues theme park, Willmott's tour focuses on the nitty-gritty
details of the River City's music history - everything from
recording studios and record-pressing plants to gravesites and the
record store where a young Elvis Presley furtively watched as
customers bought his first records.
Memphis's musical stew - a
complex mix of influences, shaped and molded by the cotton trade -
can be tricky for outsiders to grasp, but Willmott's combination of
a researcher's mind and a storyteller's voice helps bring it into
sharp historical focus.
The tour operation, which launched in 2004, is the latest in a
series of projects that have essentially made Willmott the
unofficial trustee of the city's musical heritage. Over the past 17
years, he's opened Memphis's best record store, curated its best
music museum, authored a travel guide to the city's music-related
sites, founded his own record label and publishing imprint, and
directed a documentary film. In a town whose music scene is famous
for larger-than-life characters like Elvis, Sam Phillips, and Isaac
Hayes, the case can be made that Willmott - an affable, low-key
40-year-old who hasn't been in a band since high school and has
never written a song - is the city's most important music figure of
the last generation.
"I don't know about that," he says, an unspoken "aw, shucks"
hovering over his words. Then he checks his watch, wipes some
barbecue sauce off his cheek, and heads out to do another tour.
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