Ready For Prime Time?
by Bryan ReesmanLess interesting is our final comedic entry. I will say this: Since
we live in such a one-car, one-person world, I am impressed that
someone would even come up with a show called
Carpoolers (ABC), let alone set it in L.A., where there
are none. That is certainly one of the show's defining visual gags.
The breakdown is simple: Four (mostly) married men ranging in age
from 20-something to 40-something share a ride to work, battle for
parking, and give each other advice on love and life.
Unfortunately, it's running on cruise control.
Flights of Fantasy
It feels like the sky is falling lately, and sci-fi and fantasy
certainly reflect that. But this year's crop of escapism is not too
gratifying.
The Bionic Woman was a fun, if goofy, '70s
show in which Jaime Sommers, the survivor of a near-fatal accident,
got souped up with bionic enhancements that gave her super
strength, reflexes, and speed. She became a champion of justice for
the U.S. government. This time out, in
NBC's
Bionic Woman, Jaime's a bit more ticked that her body
was altered without her consent, and her reluctance to make nice
with the feds is augmented by the presence of another bionic woman,
who has a governmental grudge of her own. Time will tell whether
this is top-notch sci-fi or more clichéd schlock.
Chuck (NBC) is the epitome of escapist
dreck. An aimless electronics-store clerk accidentally views an
e-mailed video file containing thousands of subliminally encoded
images related to defense secrets, and now they're implanted in his
brain. Naturally, the secret keepers want to get hold of him, as he
is unintentionally decoding these seemingly random images. This
kind of espionage parody was more fun in the '80s movie
Gotcha!.
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