James Black | New Orleans | Ellis Marsalis | food
Harry Connick Jr.'s New Orleans
by
Mark SealSUNDAY
BRUNCH
"If I could only do one thing, I'd go to Brennan's for Sunday
brunch. When I walk in there, it feels like the calm before the
storm. It feels like, This is the last moment I'm going to have
before I feel like I'm going to physically explode from eating so
much
food. It's a nice feeling of anticipation. Every time I go, I
get the same thing. I get the turtle soup with sherry. Then, I get
the eggs Hussarde, which is almost like eggs Benedict, except it
has a white wine sauce, too. It's unbelievable. Then I get bananas
Foster. The whole brunch takes you three hours to eat, and you want
to just sleep the rest of the day. But it's the best food."
ONE MEMORABLE NIGHT IN NEW ORLEANS
"There are a lot of great musicians from
New Orleans. When I was
probably 15, I was studying with
Ellis Marsalis, and Ellis would
play at Snug Harbor all the time. Back then, he would play there a
couple of times a week and a lot of his students would play there,
too. One day he said, 'I need you to sub for me with James Black.'
James Black was one of the greatest, if not the greatest, jazz
drummers to ever come out of New Orleans. I was excited because I
had never played with him. The first song I called was 'Magnolia
Triangle,' which James wrote. It's in an odd meter, 5/4 time, which
isn't necessarily that hard to play, it's just not the most common
time. I remember the bass player looking at me like I was crazy
because James was such a manipulator of rhythm that if you played
one of these odd-time meters with him, there was a good chance that
he would throw you off and you would get lost in the song. And
that's exactly what happened. He threw us off, we didn't know where
we were, and I think he became frustrated with our inability to
keep up with him, and he left after that song. He just walked to
the bar, got a beer, and left the gig! We ended up playing the rest
of the night as a duo without a drummer. That story just tells you
that the music is hard-core down there. People are very serious
about the arts. They are really serious about music, and the
musicians are serious about what they do. When I was coming up, you
felt an immense amount of pressure to keep this high level of music
going."
Related Topics:
Print this Article |