The Touring Life Of A Superstar
by Kevin RaubOn the way back to the venue, a squirrelly Colombian journalist
fresh out of college and whom nobody in Oakenfold's entourage seems
to know anything about, somehow manages to stow away in our van. He
asks Oakenfold to sign 10 autographs (one alone is a big no-no for
a journalist; 10 warrants a
Punk'd episode), and Oakenfold
begrudgingly obliges him. Things turn ugly a few minutes later,
though, when Oakenfold, who is trying to catch some sleep in the
back of the van, is awoken by the green light on the journalist's
video camera. It's a tense moment as the DJ accuses the journalist
of filming him sleeping and the journalist struggles to explain
himself in broken English. (As one might imagine, the journalist
found his own ride back into town after the show.)
Oakenfold tears through another blistering set, which doesn't end
until nearly five a.m. Of course there's an after-party, and of
course we attend. The promoters secure us a bottle of
aguardiente, the country's vaguely licorice-flavored liquor,
though it doesn't go over well with this crowd. Kudos to Oakenfold,
however, for his interest in local culture. "You embrace it as much
as you can," he says. "Local foods, sights, drink. What we usually
like to do is get a couple of days [in each destination]; it's
usually not as hectic as this."
The sun is already up when we head back to the hotel. The mass,
sunglassed exodus from the venue is reminiscent of a zombie movie.
I feel as if I've undertaken a sleep-deprivation study for which I
will receive no compensation - and I've been on tour only for a few
days. Oakenfold and his entourage do this on a regular basis, a
thought that prompts the part of my brain in charge of sleep to
beg, "Make … it … stop."
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