Unfinished Business
by Lisa Sonne
My guide, Teresa Farriols, starts the exploration with a
postcard-panoramic view of the Nativity facade, seen across the
park through blossoms and trees. Even at that distance, it looks
more like a mutating fantasy than a Gothic cathedral. I make out
four untraditional towers, their spires topped with bright-colored
filial art that uses the sky as a canvas, and a large green cypress
tree with white doves of peace and faithfulness. The closer we get,
the more fantastic and fascinating it all appears.
The Nativity facade is the only side that was completely overseen
by Gaudí before he died in 1926. It's his wildly imaginative and
carefully crafted tribute to God through religion and nature. Two
pillars stand tall between the doorways of Hope, Faith, and
Charity, their stories told through scriptural sculptures. The
seaward pillar rises from the stone back of a giant marine turtle,
and the leeward pillar rests on an equal-size land tortoise.
This side of the building (the east side), which has been called
the Bible in Stone, depicts the birth, childhood, and adolescence
of Jesus in three-dimensional tableaus. Sometimes the fourth
dimension of time shows through - the darker colors of age and
smog, and the lighter, younger colors that show repairs from damage
inflicted during the Spanish Civil War. Gaudí based the statues on
people he selected from the neighborhood and his staff. He cast his
forms in plaster, photographed them in front of multiple angled
mirrors to get all perspectives, and wired skeletal bones in
positions so the final carved stones would tell truths.
Among the biblical sculptures, I see morphing shapes that look like
lava flows of leaves, flowers, trees, stalactites, and stalagmites.
I am told there are 36 different kinds of birds in this facade, all
found in the pages of the Bible, all modeled from real specimens.
There are also the Milky Way, signs of the zodiac, and
theologians.
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