Sofia | Simon Reyes
Mexico's State Of The Art
by
Tracy Staton
In San Bartolo Coyótepec, we enter the studio of Simon Reyes, whose
pottery formed of the local black clay is fashioned and fired in
the courtyard beyond. The ceramics are displayed atop
newspaper-covered tables - pots, candlesticks, vases, each
different, the more intricate pieces bearing Señor Reyes'
signature.
In the courtyard an old woman stirs a trough full of silty,
charcoal-gray soup and smiles in welcome. "Call me Sofia," she says
as she puts the shards of failed creations back in the trough to be
reconstituted. She takes clay from the trough and shows us her
crude potter's wheel, essentially two shallow bowls, one placed on
the ground with curved bottom up, the other on top of it, curve
down. The two saucers meet only at their sloping centers. She spins
the top saucer with her feet and forms a pot with her hands. Then
she smooths the clay with a stone to create the polished finish
Coyótepec is known for.
How many hours does it take to make one pot? I ask Doña Sofia. "One
like this, four hours," she says, pointing to a small, simply
polished urn. When it's ready, it will be fired in an underground,
wood-burning kiln, which she beckons us to see. Fire burns in a pit
above a brick-lined kiln and keeps burning until the pottery is
ready, usually about five hours, but as long as two days when the
weather is cold. Sofia has been making pottery for 72 years.
In nearby Teotitlán del Valle, known for its rugs and tapestries,
bright-colored weavings hang from almost every entrance off the
main street - geometric patterns, repeating figures of birds, woven
pictures of the Aztec god Quetzlcoatl. In back of many of these
shops, women and girls work wooden looms, hand-threading shuttles,
building their tapetes one length of yarn at a time. Others card
the wool, spin the yarn, dye it with vegetables and herbs. The
bright red is cochineal, an insect that lives on prickly pear
cactus. The bugs are gathered by hand and soaked for their natural
crimson color. Purple is milked from a snail, yellow crushed from
flowers. Freshly dyed yarn hangs in colorful swoops, drying in the
clear air.
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