Umbria | Pietro Perugino | Roman | Vatican painter
The Chronicles Of Narni
by
Michael Kiefer
THE UMBRIAN REGION is famous for the
religious art in the churches and abbeys of its numerous medieval
cities, masterworks from the thirteenth and fourteenth centuries -
especially those created by the Vatican painter Pietro Perugino,
who took his name from the region's largest city, Perugia. Those
paintings served as Scripture in the ages before common people knew
how to read, and they especially depict the rich Catholic history
of Umbria. Many of the region's ornate churches are dedicated to
the gentle Saint Francis of Assisi, because he traveled all over
Umbria working miracles and preaching to the people.
But Nini's find was a former Benedictine abbey, clearly more of an
archaeological attraction than a tourist mecca or a religious
shrine. Once upon a time, the abbey was accessible through the
Benedictine convent above it. But the convent had been abandoned
for more than a century before eventually being destroyed during
World War II. The entrance to the long-forgotten underground
chambers was obliterated - and then a hole opened up in an old
man's garden in 1979.
Up until that time, Nini had been an apprentice surveyor. But after
his discovery, he followed his fortune and pursued a doctorate in
archaeology. For the last 26 years, subterranean Narni has been his
life. Working with paintbrushes and dental utensils, he and a
volunteer staff have peeled away layers of history. They have
uncovered a 2,000-year-old
Roman cistern, the remains of what
appears to be a house, and even the tusk of a woolly mammoth.
Today the hidden rooms are referred to as
Narni
Sotterranea, or "Narni Underground"; you can tour them if
you make reservations in advance. The chapel's fading frescoes
speak to the passage of time. The torture chamber's walls are hung
with photographs of the equipment that would have been used there
during the Roman Inquisition, which lasted until the 1830s. The
graffiti left by the prisoners is intact.
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